The Brotherly Connection Of Sonny Blues English Literature Essay

The Brotherly Connection Of Sonny Blues English Literature Essay Both stories show the importance in having that brotherly connection and a desire to be accepted by the one you admire. In Sonnys Blues, it is established that all Sonny wants is for his brother to understand and accept his way of life. Even though the narrator does in fact care for his younger brother, Sonny, he sees it as more of a promise to his mother that I wont let nothing happen to Sonny (Baldwin 218), which gave the narrator more of an incentive to just watch Sonny rather than being there and listening to his brother, when he needed it most, ultimately severely hurting Sonny., Throughout the story Sonny cries out for his brothers attention and acceptance. In the midst of a significant conversation with one another Sonny blatantly says, I hear you. But you never hear anything I say (Baldwin 221) and which could be one of the narrators biggest mistakes. The narrator once gain ignores what Sonny is saying and starts explaining to Sonny how he will live while his brother is away at war. Experiencing the lack of his brothers affection evidently turned Sonny severely against his brother, and turned his attention to an environment where he knew hed be accepted, playing jazz with the good-time people (Baldwin 219). That choice was not made entirely by Sonny; it was formed by his experiences during childhood. Sonny plays music not only to express himself fully but also to replace the drugs that he is trying to escape from. Sonnys choice of music reflects his attitude towards life and his experiences, and if only his brother can take a moment to listen to that, instead of instantly judging Sonny, their relationship could have been a lot less deficient throughout the years. The need for acceptance between brothers is also portrayed in The Red Convertible, at the same time the reason for their separation is not as preventable as in Sonnys Blues. Unlike his brother Lyman, who was lucky when it came to numbers, Henry ws never lucky in the same way (Erdrich, 236) and was picked for the draft shortly after returning from their summer road trip. About three years had passed until theyd met again, only for Lyman to discover that Henry wasnt the same when he returned from the war. Frustrated and upset about what happened to Henry, Lyman desperately tried to find a way to bring back his old brotherly connection. Symbolic to their relaitonship, Lyman went out to the car and ran the piss right out of it (Erdrich 238) in hopes that it would bring back whatever was left of Henry. When Lyman intentionally damaged the car so that Henry would have to fix it, Henry understood what Lyman was trying to do for him. Rather than responding with anger or bitterness, he fixed the car so that Lyman would have it. Henry knew how lonesome the effect of war left himself, and Lyman also noticing just how different the war made him, they both slowly came to reality to the beginning of the end of their relationship. The brothers in Sonnys Blues and The Red Convertible both have a point in time where they grow apart and experience a major life changing occurrence. Despite Sonnys arrest and misfortune it takes the death of the narrators daughter to finally get a better understanding of his brother. It seems that the narrator could better understand Sonny now, and has decided to write to his brother. In The Red Convertible Lyman destroys the car as he views his and Henrys relationship. Henry understands what Lyman is trying to do for him, and shows his brother that he still cares. The capability to put their differences behind them and restore an old connection that was once so significant can be evident in ones want to finally change. Unfortunately some unexpected cases of events are bound to happen, that we either have no control over or as bad as it may seem, are better off. It is not until now tha tLyman realizes that Henry and he will never gain back that tight bond that they once shared. When Henry jumps into the water, in a strange way, he is showing Lyman that he is doing all he can to be the old Henry. You can dryly put it together that Lyman understands his brothers decision to end his life, in his actions following his brothers suicide. The sinking of the red convertible symbolizes the end of Henry and Lymans relationship and creates a very ironic end to what was once a very strong bond among two brothers. On the contrary, these two brothers had another chance to take up again that connection they once had. After finally beginning to understand Sonny for who he truly is, the narrator steps inside of Sonnys atmosphere, so to speak. Upon entering the Jazz club and meeting all of Sonnys acquaintances, the narrator is impressed and seems very fond of how well liked and appreciated his little brother is. The most important and influential person the narrator meets is Creole, upon meeting him the narrator says one of the most significant statements of the whole story. This is the point where the narrator finaly comes to a true appreciation about who Sonny truly is, not only as a person but for the true talent that he expresses in his music. Due to the hardships of separation and neglicence, both brothers understand the certainty of their relationships after drugs and neglecting are incorporated into the situation. Although both stories do not give the same opportunity to find a way to revive the old beat up relationship, both pairs of brothers finally realized the importance of being there for one another. The way the two brothers reuinte through addiciton, memories and strife make their bond seem stronger than ever.

Deception Point Page 86

â€Å"What did you just say?† Gabrielle demanded. The guard's fist stopped in midair. â€Å"I said the senator was glad I let you in earlier. You were right. It was no problem at all.† â€Å"You and the senator talked about that?† Gabrielle sounded surprised. â€Å"Yeah. So what?† â€Å"No, I just didn't think†¦ â€Å" â€Å"Actually, it was kind of weird. The senator needed a couple of seconds to even remember you'd been in there. I think the boys were tossing back a few.† â€Å"When did you two talk, Owen?† â€Å"Right after you left. Is something wrong?† A momentary silence. â€Å"No†¦ no. Nothing. Look, now that I think of it, let's not bother the senator this instant. I'll keep trying his house line, and if I don't have any luck, I'll call you back and you can knock.† The guard rolled his eyes. â€Å"Whatever you say, Ms. Ashe.† â€Å"Thanks, Owen. Sorry to bother you.† â€Å"No problem.† The guard hung up, flopped back in his chair, and went to sleep. Alone in her office, Gabrielle stood motionless for several seconds before hanging up the phone. Sexton knows I was inside his apartment†¦ and he never mentioned it to me? Tonight's ethereal strangeness was getting murkier. Gabrielle flashed on the senator's phone call to her while she was at ABC. The senator had stunned her with his unprovoked admission that he was meeting with space companies and accepting money. His honesty had brought her back to him. Shamed her even. His confession now seemed one hell of a lot less noble. Soft money, Sexton had said. Perfectly legal. Suddenly, all the vague misgivings Gabrielle had ever felt about Senator Sexton seemed to resurface all at once. Outside, the taxi was honking. 103 The bridge of the Goya was a Plexiglas cube situated two levels above the main deck. From here Rachel had a 360-degree view of the surrounding darkened sea, an unnerving vista she looked at only once before blocking it out and turning her attention to the matter at hand. Having sent Tolland and Corky to find Xavia, Rachel prepared to contact Pickering. She'd promised the director she would call him when they arrived, and she was eager to know what he had learned in his meeting with Marjorie Tench. The Goya's SHINCOM 2100 digital communications system was a platform with which Rachel was familiar enough. She knew if she kept her call short, her communication should be secure. Dialing Pickering's private number, she waited, clutching the SHINCOM 2100 receiver to her ear and waiting. She expected Pickering to pick up on the first ring. But the line just kept ringing. Six rings. Seven. Eight†¦ Rachel gazed out at the darkened ocean, her inability to reach the director doing nothing to quell her uneasiness about being at sea. Nine rings. Ten rings. Pick up! She paced, waiting. What was going on? Pickering carried his phone with him at all times, and he had expressly told Rachel to call him. After fifteen rings, she hung up. With growing apprehension, she picked up the SHINCOM receiver and dialed again. Four rings. Five rings. Where is he? Finally, the connection clicked open. Rachel felt a surge of relief, but it was short-lived. There was no one on the line. Only silence. â€Å"Hello,† she prompted. â€Å"Director?† Three quick clicks. â€Å"Hello?† Rachel said. A burst of electronic static shattered the line, blasting in Rachel's ear. She yanked the receiver away from her head in pain. The static abruptly stopped. Now she could hear a series of rapidly oscillating tones that pulsed in half-second intervals. Rachel's confusion quickly gave way to realization. And then fear. â€Å"Shit!† Wheeling back to the controls on the bridge, she slammed the receiver down in its cradle, severing the connection. For several moments she stood terrified, wondering if she'd hung up in time. Amidships, two decks below, the Goya's hydrolab was an expansive work space segmented by long counters and islands packed to the gills with electronic gear-bottom profilers, current analyzers, wet sinks, fume hoods, a walk-in specimen cooler, PCs, and a stack of organizer crates for research data and the spare electronics to keep everything running. When Tolland and Corky entered, the Goya's onboard geologist, Xavia, was reclining in front of a blaring television. She didn't even turn around. â€Å"Did you guys run out of beer money?† she called over her shoulder, apparently thinking some of her crew had returned. â€Å"Xavia,† Tolland said. â€Å"It's Mike.† The geologist spun, swallowing part of a prepackaged sandwich she was eating. â€Å"Mike?† she stammered, clearly stunned to see him. She stood up, turned down the television, and came over, still chewing. â€Å"I thought some of the guys had come back from bar-hopping. What are you doing here?† Xavia was heavyset and dark-skinned, with a sharp voice and a surly air about her. She motioned to the television, which was broadcasting replays of Tolland's on-site meteorite documentary. â€Å"You sure didn't hang around on the ice shelf very long, did you?† Something came up, Tolland thought. â€Å"Xavia, I'm sure you recognize Corky Marlinson.† Xavia nodded. â€Å"An honor, sir.† Corky was eyeing the sandwich in her hand. â€Å"That looks good.† Xavia gave him an odd look. â€Å"I got your message,† Tolland said to Xavia. â€Å"You said I made a mistake in my presentation? I want to talk to you about it.† The geologist stared at him and let out a shrill laugh. â€Å"That's why you're back? Oh, Mike, for God's sake, I told you, it was nothing. I was just pulling your chain. NASA obviously gave you some old data. Inconsequential. Seriously, only three or four marine geologists in the world might have noticed the oversight!† Tolland held his breath. â€Å"This oversight. Does it by any chance have anything to do with chondrules?† Xavia's face went blank with shock. â€Å"My God. One of those geologists called you already?† Tolland slumped. The chondrules. He looked at Corky and then back to the marine geologist. â€Å"Xavia, I need to know everything you can tell me about these chondrules. What was the mistake I made?† Xavia stared at him, apparently now sensing he was dead serious. â€Å"Mike, it's really nothing. I read a small article in a trade journal a while back. But I don't understand why you're so worried about this.† Tolland sighed. â€Å"Xavia, as strange as this may sound, the less you know tonight, the better. All I'm asking is for you to tell us what you know about chondrules, and then we'll need you to examine a rock sample for us.† Xavia looked mystified and vaguely perturbed to be out of the loop. â€Å"Fine, let me get you that article. It's in my office.† She set her sandwich down and headed for the door. Corky called after her. â€Å"Can I finish that?† Xavia paused, sounding incredulous. â€Å"You want to finish my sandwich?† â€Å"Well, I just thought if you-â€Å" â€Å"Get your own damn sandwich.† Xavia left. Tolland chuckled, motioning across the lab toward a specimen cooler. â€Å"Bottom shelf, Corky. Between the sambuca and squid sacs.† Outside on deck, Rachel descended the steep stairway from the bridge and strode toward the chopper pad. The Coast Guard pilot was dozing but sat up when Rachel rapped on the cockpit. â€Å"Done already?† he asked. â€Å"That was fast.† Rachel shook her head, on edge. â€Å"Can you run both surface and air radar?† â€Å"Sure. Ten-mile radius.† â€Å"Turn it on, please.† Looking puzzled, the pilot threw a couple of switches and the radar screen lit up. The sweep arm spun lazy circles.

Men Vs Women - Comparison and Contrast essay - 836 Words

Men vs. Women By Angelica G. Sto. Domingo Ever thought why and how are people different from each other? Their basic differences (which can also be their similarities) are intelligence, opinions, body structure, religion, responsibilities, priorities, goals, and personalities. But the most obvious of all these is their difference in gender (Sozdinler, 2008). According to Sozdinler, many ancient and modern philosophers say that people are born in equal conditions. They may have the same intelligence and opinions, such as believing in God, living a righteous life, helping people, etc. These similarities apply between men and women, such as many married couples who share their duties equally and similarly. For example, they both go to work†¦show more content†¦Now, contrary to what Sozdinler said about married couples helping each other in their homes, he also stated that they still have different tasks to do, even if they are doing it for the same purpose. 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Overview of Neuroimagery Essay - 1695 Words

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